NEW · Listening Booth Ep. 84 just released · 2hr 18min Six shows · 410 episodes · since '19

NEW Just released · The Listening Booth · Ep. 84

Six conversations, the slow way.

A small podcast network of six independent shows — hosted by people who actually know the things they talk about. 410 episodes since 2019, no ads, no sponsor reads, listener-supported.

The Listening Booth

A long conversation with Edmund Sokol

Ep. 84 · with Marisa Quinn · published 4 days ago

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The Listening Booth 2hr 18min

A long conversation with Edmund Sokol

The composer on his fifty-year practice, why he stopped writing for orchestras, and the period of three years in the early 90s when he didn't make any music at all.

★ Released 4 days ago · Ep. 84 Play
A studio condenser microphone in a darkened recording booth — the quiet setup for a long-form composer interview
Cold Rooms 1hr 04min

On the cataloguing of small museums.

Sara Bélanger talks with three regional museum curators — one in Iceland, one in Saskatchewan, one in the Marche — about what it means to catalogue collections nobody is funding.

★ Released 8 days ago · Ep. 41 Play
A laptop, microphone, and studio lights on a desk — a portable podcast rig like the one used to record curators on location
House Built Slow 52min

The masonry of dry-stone walls.

Conor Llewellyn-Hayes meets a third-generation Welsh dry-stone waller on a hillside above Llanberis. Recorded in the open. There is weather.

★ Released 14 days ago · Ep. 67 Play
A small portable cardioid microphone resting on a tabletop — the kind of compact rig you take up a hillside to record outdoors
By Land & Sea 1hr 42min

Lighthouse keepers, past tense.

Aoife Reilly interviews three former lighthouse keepers in Ireland, Newfoundland, and the Hebrides — all in their seventies now, the last generation to do that job before automation.

★ Released 18 days ago · Ep. 22 Play
A laptop and studio microphone in a portable interview rig — the kind brought to a retired lighthouse keeper's kitchen table
Field Recording 38min

The dawn chorus, in Suffolk.

No interview this week. Just thirty-eight minutes of dawn chorus, recorded on May 14th, 2025 in a Suffolk hedgerow, by Joel Markandya. Some sparse narration only.

★ Released 3 weeks ago · Ep. 92 Play
A studio microphone on a black stand against deep shadow — a quiet, contemplative recording setup matching a no-interview field episode
The Listening Booth 1hr 56min

A long conversation with Petra Halász.

The Hungarian-Canadian poet on her three-decade career, the political weather of 1990s Budapest, and why she translates almost nothing of her own work into English.

★ Released 4 weeks ago · Ep. 83 Play

— Four hundred and four more episodes, behind these. Browse the full archive →

— The six shows on the network

Six shows. One network. No ads.

Each show has its own host, its own rhythm, and its own audience. We don't tell them what to make, we don't approve scripts, and we never insert sponsorship reads. We just provide the infrastructure and split the membership revenue equally.

Two hosts seated at microphones across a table, recording a long-form conversation

The Listening Booth

Marisa Quinn · weekly

Long-form conversations with one person at a time, usually artists, writers, and craftspeople at the long end of their careers. 90 — 130 minutes. No edits.

84 eps 2019 est. ~2hr avg
All 84 episodes
Rows of white archive boxes lined up on wooden shelves in a small museum store

Cold Rooms

Sara Bélanger · monthly

Conversations with the people who work in small museums, archives, and library reading rooms — the institutions almost nobody funds anymore. Roughly an hour.

41 eps 2021 est. ~1hr avg
All 41 episodes
A textured drystone wall made of rough, irregular stones — the masonry the show records on location

House Built Slow

Conor Llewellyn-Hayes · biweekly

A show about traditional building trades — masons, thatchers, drystone wallers, plasterers. Conor visits the work and records on location, weather permitting (and sometimes not).

67 eps 2020 est. ~50min avg
All 67 episodes
A fishing trawler at rest in a misty Irish harbor at Dunmore East, County Waterford

By Land & Sea

Aoife Reilly · monthly

Stories from people whose livelihoods depend on weather, tides, and seasons — fishermen, shepherds, ferry captains. Mostly recorded in Ireland and the British Isles.

22 eps 2023 est. ~90min avg
All 22 episodes
A misty forest at dawn — the dawn-chorus environment the show records in

Field Recording

Joel Markandya · weekly

No interviews. Pure long-form field recordings — dawn choruses, market squares, a single train carriage through the Highlands. Sparse narration only at the very start of each episode.

92 eps 2019 est. ~35min avg
All 92 episodes
Stacks of old leather-bound books — the out-of-fashion backlist the show works from

The Backlist Hour

Hilde Strøm · biweekly

A book show — but only about books at least twenty years old and out of fashion. Each episode is one book. Hilde reads from it, talks about it, and finds someone who loves it to talk to.

104 eps 2019 est. ~65min avg
All 104 episodes
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— About the network

Listener-supported from the first episode.

Long Format started in 2019 as one show — The Listening Booth, hosted by Marisa Quinn, recorded in the back room of an apartment in Brooklyn. The network grew show by show, from people Marisa already knew and trusted, and is now six independent shows across five countries.

We have never run a sponsor read, an ad, or an affiliate link. We don't intend to start. The network is entirely funded by our 4,200 paying members, each of whom pays $4 or more a month, and gets in return roughly forty hours of new audio every month, no interruptions, and a transcript of every episode.

Most months we break even. Some months we don't, and the network's two-person operations team works without pay until we do. We are not VC-funded, we are not for sale, and we are not, as a senior producer once put it, "trying to get bought by Spotify."

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410
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across all six shows · '19—'25
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Membership is what keeps Long Format running. The minimum tier is genuinely affordable, the middle tier is what most people pick, and the top tier exists for people who want to support us at a level that genuinely helps. All three get the same audio. We don't gate episodes.

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